English usage

  • School English: see me after class

    I do worry when schools display lack of proficiency in the English language. After all, they are establishments whose tasks include imparting formal training in the vernacular.

    In particular, they seem to have problems with the use of the apostrophe (posts passim), whether that entails its use as a possessive or as an indication of omission.

    The latest example from the nursery slopes of Mount Academia was found almost on my doorstep at St. Nicholas of Tolentine RC Primary School in Pennywell Road, Bristol, which seems to think that childrens is the plural of child.

    showing misused apostrophe on school notice

    Should anyone from the school happen to be reading this, the correct punctuation is children’s. In the words of several of my old teachers: you could do better; see me after class. πŸ™‚

  • What is open?

    Open Knowledge Foundation logoThe Open Knowledge Foundation is doing marvellous work in the fields of open data and open content.

    The Foundation has just published version 2 of its Open Definition. This definition is released under a Creative Commons Attribution licence and is reproduced verbatim below (complete with US spellings and punctuation throughout. Ed.).

    Open Definition

    Version 2.0

    The Open Definition makes precise the meaning of “open” with respect to knowledge, promoting a robust commons in which anyone may participate, and interoperability is maximized.

    Summary: Knowledge is open if anyone is free to access, use, modify, and share it β€” subject, at most, to measures that preserve provenance and openness.

    This essential meaning matches that of “open” with respect to software as in the Open Source Definition and is synonymous with “free” or “libre” as in the Definition of Free Cultural Works. The Open Definition was initially derived from the Open Source Definition, which in turn was derived from the Debian Free Software Guidelines.

    The term work will be used to denote the item or piece of knowledge being transferred.

    The term license refers to the legal conditions under which the work is made available. Where no license has been offered this should be interpreted as referring to default legal conditions governing use of the work (for example, copyright or public domain).

    1. Open Works

    An open work must satisfy the following requirements in its distribution:

    1.1 Open License

    The work must be available under an open license (as defined in Section 2). Any additional terms accompanying the work (such as a terms of use, or patents held by the licensor) must not contradict the terms of the license.

    1.2 Access

    The work shall be available as a whole and at no more than a reasonable one-time reproduction cost, preferably downloadable via the Internet without charge. Any additional information necessary for license compliance (such as names of contributors required for compliance with attribution requirements) must also accompany the work.

    1.3 Open Format

    The work must be provided in a convenient and modifiable form such that there are no unnecessary technological obstacles to the performance of the licensed rights. Specifically, data should be machine-readable, available in bulk, and provided in an open format (i.e., a format with a freely available published specification which places no restrictions, monetary or otherwise, upon its use) or, at the very least, can be processed with at least one free/libre/open-source software tool.

    2. Open Licenses

    A license is open if its terms satisfy the following conditions:

    2.1 Required Permissions

    The license must irrevocably permit (or allow) the following:

    2.1.1 Use

    The license must allow free use of the licensed work.

    2.1.2 Redistribution

    The license must allow redistribution of the licensed work, including sale, whether on its own or as part of a collection made from works from different sources.

    2.1.3 Modification

    The license must allow the creation of derivatives of the licensed work and allow the distribution of such derivatives under the same terms of the original licensed work.

    2.1.4 Separation

    The license must allow any part of the work to be freely used, distributed, or modified separately from any other part of the work or from any collection of works in which it was originally distributed. All parties who receive any distribution of any part of a work within the terms of the original license should have the same rights as those that are granted in conjunction with the original work.

    2.1.5 Compilation

    The license must allow the licensed work to be distributed along
    with other distinct works without placing restrictions on these other works.

    2.1.6 Non-discrimination

    The license must not discriminate against any person or group.

    2.1.7 Propagation

    The rights attached to the work must apply to all to whom it is redistributed without the need to agree to any additional legal terms.

    2.1.8 Application to Any Purpose

    The license must allow use, redistribution, modification, and compilation for any purpose. The license must not restrict anyone from making use of the work in a specific field of endeavor.

    2.1.9 No Charge

    The license must not impose any fee arrangement, royalty, or other compensation or monetary remuneration as part of its conditions.

    2.2 Acceptable Conditions

    The license shall not limit, make uncertain, or otherwise diminish the permissions
    required in Section 2.1 except by the following allowable conditions:

    2.2.1 Attribution

    The license may require distributions of the work to include attribution of contributors, rights holders, sponsors and creators as long as any such prescriptions are not onerous.

    2.2.2 Integrity

    The license may require that modified versions of a licensed work carry a different name or version number from the original work or otherwise indicate what changes have been made.

    2.2.3 Share-alike

    The license may require copies or derivatives of a licensed work to remain under a license the same as or similar to the original.

    2.2.4 Notice

    The license may require retention of copyright notices and identification of the license.

    2.2.5 Source

    The license may require modified works to be made available in a form preferred for further modification.

    2.2.6 Technical Restriction Prohibition

    The license may prohibit distribution of the work in a manner where technical measures impose restrictions on the exercise of otherwise allowed rights.

    Non-aggression

    The license may require modifiers to grant the public additional permissions (for example, patent licenses) as required for exercise of the rights allowed by the license. The license may also condition permissions on not aggressing against licensees with respect to exercising any allowed right (again, for example, patent litigation).

  • Greengrocer returns to Post

    Thursday’s Bristol Post saw the welcome return to journalism of a local greengrocer, with a report featuring a superfluous apostrophe in the headline.

    Bristol Post headline featuring greengrocer's apostrophe

    The writer from the fruit and vegetable trade has been rather quiet on Temple Way recently. This blog has not featured his or her work for nearly a year now (posts passim).

    One question that should be asked of Localworld, owners of the Bristol Post, is whether it was it such a great idea to get rid of sub-editors?

  • Nice one!

    News site www.thebusinesswomanmedia.com has got the emphasis just right here on its report on a wedding that’s causing the media to get excited and distract attention from all the nasty things going on in the world like Ebola in West Africa or the continuing madness in the Middle East (news passim).

    screenshot of headline stating internationally acclaimed barrister Amal Alamuddin marries an actor

    However, it could have added the word(s) ‘ageing’ and/or ‘greying’ in front of ‘actor’. πŸ˜‰

  • Testicle legs?

    siblings together
    Siblings at Bury Ditches picnic area. Picture by Hilary Midgley.
    Each year one of my great delights is to go walking in Shropshire with my sister Hilary for a couple of days (posts passim). This year’s annual sibling saunter did indeed take place last week, but with one important change: our brother Andrew was able to join us for the first time on Thursday evening (after Hilary and I had done our inaugural afternoon walk) and take part in Friday’s walk.

    After meeting up in the late morning in Craven Arms and some light refreshment, Hilary and myself set out on a 6 miles circular walk to Flounders’ Folly on Callow Hill and back, following an excellent route provided by the AA. The folly was built in 1838 by Benjamin Flounders – a prominent English Quaker and local businessman originally from Yorkshire – and fell into disrepair in the 20th century, but was restored in 2004-5 by the Flounders’ Folly Trust with aid from the National Lottery. It’s now open to the public one day per month so people can climb to the viewing platform at the top of the 78 stairs and enjoy wonderful views of the Malverns, the Black Mountains, Cader Idris and much more. The route up to the folly consisted of a steep climb through active forestry workings, but the view from the top was well worthwhile.

    image of my sister at Flounders' Folly
    Flounders’ Folly

    The route back from the folly was through pasture along the Quinny Brook and the River Onny. Our return to Craven Arms was perfectly timed; we’d just arrived back when the rain started. πŸ™‚

    As with last year, we stayed at Clun Youth Hostel, a converted water mill with most of the mill machinery still intact. The remains of the millpond can still be seen just up the road by the Memorial Hall and there are rumours that it is to be restored. The volunteer wardens at the hostel were most helpful and hospitable, whilst fellow hostellers didn’t snore too much!

    The following morning after breakfast we set out from the hostel to visit the motte and bailey at Lower Down and the Iron Age hill fort at Bury Ditches on a circular route measuring somewhat over 8 miles. The route out to Lower Down meandered through farmland, including a couple of sunken lanes reputed to have been used by monks, and woodland. Towards Lower Down, some splendid views were had of the Stiperstones and Corndon Hill, high point of one of last year’s walks.

    Lower Down’s motte and bailey can be viewed by going through the kissing gate next to the telephone box and pillar box. The field in which they are sited is also reputed to contain medieval settlement remains.

    plan of Bury Ditches hill fort
    Plan of Bury Ditches hill fort on the toposphere
    After Lower Down there followed a long climb (during which the rain commenced. Ed.) up to the Bury Ditches picnic area where lunch was taken, followed by the long, gradual ascent up to the hill fort itself. The entry into the hill fort is from the north east through 3 sets of concentric earth bank defences. When the fort was originally constructed about 2,500 years ago, these earth banks would have been surmounted by wooden palisades. In the steady drizzle, we wandered up to the toposphere in the centre of the fort to admire the views and get our bearings as we had to leave hill fort via its south west entrance/exit. As we approached the exit, the rain eased off and out came the cameras to record our visit.

    image of Andrew admiring the 3 defensive banks at the SW entrance to Bury Ditches
    Andrew admires the defensive banks at Bury Ditches

    Descending from Bury Ditches, we then dropped down through woodland a giant sequoia to skirt Steppleknoll to return across the fields (where red kites were seen) to Clun and a welcome couple of pints in The Sun Inn. We can recommend the restorative properties of the Three Tuns Brewery’s beer, as we all sampled the Porter and found it excellent, whilst your correspondent also savoured the very hoppy IPA.

    Both days’ walks included a ford too, although neither was particularly deep, as shown by the one through the Quinny Brook on the Callow Hill walk.

    image of author standing in Quinny Brook ford
    The author testing the depth of the ford. Picture courtesy of Hilary Midgley.

    Planning has already started for next year for a visit to another hill fort near Craven Arms and returning via Stokesay Castle, as well as an exploration of Offa’s Dyke south of Newcastle on Clun.

    By now, you are probably asking what all this has to do with the testicle legs in the title. Well, the title of this post originates from a snatch of conversation when we were negotiating some rough, muddy ground. I remarked that one needed ‘festival legs‘ to cope. When I repeated my remark since it hadn’t been heard clearly, back came the reply: “I thought you said testicle legs!”

    Happy days! πŸ™‚

  • Bristol invents the bup

    Bristol likes to regard itself as a place of innovation.

    Bearing this inventive spirit in mind, contractors working in Old Market Street for Bristol City Council have invented a new public conveyance vehicle – the bup.

    image of bus stop featuring words Bup Stop

    A spokesperson for Bristol City Council said: “We take the misspelling of road marking very seriously and will soon be appointing an expensive CONsultant to advise us of the best possible solution.” (That quotation was made up, wasn’t it? Ed.)

    Hat tip: Bristol Post.

    Update 27/08/14: the orthographical gaffe was corrected yesterday, according to the Bristol Post.

  • A confusing spell in Red(e)cliff(e)

    One of the oldest districts of Bristol is Redcliffe (or Redcliff. Ed.).

    According to its Wikipedia entry, Redcliffe – the more common spelling – was once part of the manor of Bedminster before its absorption into the city of Bristol in the 13th century.

    However, the spelling of Redcliff(e) has long caused controversy.

    Richard Ricart, a town clerk of Bristol, in his The Maire of Bristowe is Kalendar, written between 1480 and 1508 and recording the history of Bristol since the 12th century, refers throughout to Redcliff, although there is also an occasional unusual reference to Redecliff. Both appear in this extract documenting the digging of St. Augustine’s Trench (later renamed St. Augustine’s Reach. Ed.) in 1240:

    This yere was the Trenche y-made and y-caste of the ryvere, fro the Gybbe Tailloure unto the key, by the maanovre of alle the Cominalte, as wele of Redcliff warde as of the Towne of Bristowe. And the same tyme thenhabitaunts of Redecliff were combyned and corporatid with the Town of Bristowe. And as for the grounde of Seynt Austyn’s side of the forseid ryver hit was yeve and grauntid to the Cominaltee of the seid Towne by Sir William a Bradstone then Abbot of Seynt Austyns for certeyn money therfore to hym paide by the seide Cominaltee. As appereth by olde writyng therof made bitwene the forseid Maire and Cominaltee and the seid Abbot and Covent.

    Redcliff these days tends to appear mostly in street names, such as Redcliff Street – the ancient road leading from Bristol Bridge to the former Redcliffe Gate in the city’s medieval walls – whilst Redcliffe is the more common version.

    A couple of quick text searches via Google of Bristol City Council’s website for Redcliff and Redcliffe gives the following results.

    • Redcliff: 1,120 results
    • Redcliffe: 4,020 results

    However, confusion as the spelling of Redcliff(e) has a long history. This is amply illustrated by the painting below by James Johnson entitled Redcliffe Street. It was painted around 1825 and hangs in Bristol City Museum & Art Gallery.

    image of   James Johnson's picture of Redcliffe Street, c. 1825
    Image courtesy of Wikimedia Commons

    Kerry McCarthy, MP for Bristol East, has now stepped into this confusing orthographic and municipal muddle via the following tweet dated August 21st.

    Before boundary changes preceding the 2010 election, Redcliff(e) was part of Kerry’s Bristol East constituency.

    It has to be conceded that there is plenty of merit in Kerry’s suggestion, although she maintains she was only ‘moaning in Twitter’.

    Bristol is nevertheless one of those places which changes at a glacial pace and place names in Bristol are frequently named after long-vanished owners/occupiers. For instance, most older inhabitants of the city still refer to the local authority’s headquarters as the Council House (pronounced Counts Louse locally. Ed.), even though one of the first acts of elected Mayor George Ferguson was to rename it with the American-sounding City Hall in a cosmetic exercise.

    Does Kerry’s campaign have any chance of success? Your views are welcome in the comments below.

  • Builder’s English?

    Seen this morning on Church Road, Lawrence Hill, Bristol.

    sign stating smile your on camera

    The person who wrote the copy must have fallen asleep in English classes when the difference between the abbreviated second person conjugation of the verb ‘to be’ and the second person possessive adjective was being explained.

    Never mind, poor English skills don’t seem to have been a barrier to employment with Cleverley Builders of Whitchurch, Bristol or Swann Security; it was uncertain to your correspondent as to who had produced the sign. However, the ability to lie on signage is also valued by Cleverley Builders and/or Swann Security as no evidence of the physical presence of video surveillance equipment could be discerned.

    If the author of the sign happens to read this, help is at hand to assist you in learning the distinguish them.

    Neither of my parents, both of whom left school at 14 years of age and received not much more than a primary education in rural Norfolk in the 1930s and 1940s would not have made such a glaring mistake in English – a mistake which seems all too commonplace amongst the beneficiaries of the modern British education system.

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