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  • How to confuse the reader

    Steve WoodsLanguage, Media, Oddities

    The output of the English Empire’s free and fearless press has in recent decades undergone several changes: and so it should; they are working with something that is dynamic and ever-changing – language.

    One of the most recent of these changes appears to be to attempt to get all the salient facts of a story crammed into its headline. This could have the saving grace of readers being spared plodding through paragraphs of more dreadful prose.

    Which brings us neatly to yesterday’s Daily Mail and the fine example below of an overstuffed headline.

    Headline reads: Christine Lampard is left in hysterics as Dr Amir Khan's mother calls him while he's live on Lorraine... before a fly shoots up his nose as he drinks Victoria Beckham 'moon water'

    Are you sure you didn’t leave out any minor detail that could still have been crammed into the headline, Mail Online? 😉

  • Trump in Bristol

    Steve WoodsBristol, Oddities, Politics

    Yesterday while walking through Riverside Park into town, your ‘umble scribe encountered some street art which immediately reminded him of Donald J. Trump, a tax dodger and serial sexual predator who was inexplicably elected as 45th President of the United States of America.

    Grafitti on street furniture in Riverside Park

    Your correspondent believes it is flattering to its subject as is shown by a comparison with a photograph of the Orange One captured in a typical denigratory pose.

    The Orange One courtesy of Wikimedia Commons

    Do you agree? Have your say in the comments below.

  • Stormy afternoon

    Steve WoodsBristol, Media

    Bristol suffered heavy rainfall and a thunderstorm yesterday afternoon, resulting in some local flooding and power outages according to the Bristol Post/Bristol Live.

    And guess who was out in it?

    Never mind. It resulted in a spectacularly atmospheric photograph taken a few minutes from home and shown below in glorious black and white for additional impact.

    The shot was taken looking westwards from the top of Eastbourne Road, Easton towards the higher ground of Cotham and Clifton.

    The view looking west from Eastbourne Road in Easton

  • The Farage effect

    Steve WoodsLanguage, Media, Politics, Social Media

    One of the earliest social impacts exerted by the internet is the so-called Streisand effect, which Wikipedia succinctly defines as: “a social phenomenon that occurs when an attempt to hide, remove, or censor information has the unintended consequence of further publicizing that information, often via the Internet. It is named after American entertainer Barbra Streisand, whose attempt to suppress the California Coastal Records Project’s photograph of her residence in Malibu, California, taken to document California coastal erosion, inadvertently drew further attention to it in 2003.“.

    After this week’s developments in British media life, your ‘umble scribe is wondering whether the Streisand effect is about to be joined by a new phenomenon which should be called the Farage effect.

    Here’s the background.

    Right-wing gobshite at the podiumOn Tuesday Nigel Farage, a former MEP who denies he’s a professional politician and perennial right-wing rabble-rouser, used his newly-minted show on right-leaning GB News (aka GBeebies. Ed.) to attack the RNLI for rescuing refugees attempting to reach British shores in flimsy and unsafe vessels who are in distress.

    In particular, Farage stated that the charity, whose lifeboats are crewed by volunteers and which is funded by donations from the public, should case to provide a “taxi service for illegal trafficking gangs“.

     

    Needless to say, Farage’s intemperate words and the awful bigotry behind them were intended to produce a reaction; and so they have, but it is one that the far-right rabble-rouser will not necessarily. appreciate.

    As the Independent reports, normal weekday donations to the charity rocketed by over 2,000 per cent compared any other Wednesday in the year in an outpouring of public support. This comes after the charity revealed how its volunteers were receiving abuse s a result of the bile spewed by the likes of Farage and published harrowing footage of Channel rescues.

    A grateful RNLI has since expressed its thanks to a generous public via a tweet earlier today.

    We’ve seen a surge in donations over the past 24 hours – both in terms of one-off gifts and hundreds of you who’ve set up a monthly donation. We’re overwhelmed by and incredibly grateful for your kindness.

    Screenshot on RNLI tweet

    On the other side, there has been a minor backlash with some existing supporters of the charity withdrawing their financial and voluntary support, presumably fully paid-up members of the Farage Cult.

    Will there soon be a Farage effect Wikipedia page stating it is a social phenomenon that occurs when an attempt is made to denigrate the actions of a volunteer-run humanitarian organisation backfires spectacularly?“

    Please feel free to discuss in the comments below.

    Update, Thursday 30 July: Today The Guardian’s website is reporting that donations to the RNLI actually increased by 3,000% stating:

    The RNLI, which runs the UK’s network of volunteer lifeboats, said it received £200,000 in charitable donations on Wednesday – around 30 times its normal average of £6,000–£7,000 per day. During the same period, there was a 270% increase in people viewing volunteering opportunities on its website.

    Faced with all the criticism from decent folk, Farage has since tried to downplay his racism and bigotry by claiming he has been proud to raise money for the RNLI. This is the equivalent of an arsonist in court telling the judge from the dock that he had deliberately started fires to keep the fire brigade in work.

  • Press gets it wrong – again

    Steve WoodsLanguage, Media, Tech

    If there’s one characteristic of the English Empire’s free and fearless press and the news media in general that’s immediately apparent to anyone with more than one brain cell, it’s their usually remote relationship with the truth.

    In the last week or so a new word has emerged – pingdemic – in relation to the coronavirus pandemic to describe the large volume of self-isolation warnings issued by the Covid track and trace app (aka pings (pl.), as derived from the computer networking utility of the same name. Ed.).

    Thus the terms ping and pingdemic have become part of normal newspaper and news media vocabulary, as shown in this typical example from yesterday’s London Evening Standard.

    Headline reads Ping threat to our food, tube and bins

    Whoever wrote the headline Ping threat to our food, tube and bins has clearly not thought the matter through.

    It’s not the pings that are the threat but the viral plague which is giving rise to rocketing Covid, aided and abetted by an apology for a government that has removed restrictions far too soon and relinquished – in exemplary Pontius Pilate mode – all responsibility for safeguarding people’s health in the rush to let all their rich mates resume making Loadsamoney again.

    All news is to a certain extent manipulated, but if those that right it cannot even get the basic details correct in a headline, is it any wonder that there is deep mistrust in the media?

    Still, never mind with all this gloom and doom. Immediately adjacent is a prime example of look over there in the form of the current 2020 Olympic games in Tokyo.

    The staff of the Standard clearly seem to have adopted the comment by Juvenal, the 2nd century Roman poet famous that the common people are only interested in bread and circuses (Latin: panem et circensis. Ed.) as editorial policy

  • Writer of children’s books

    Steve WoodsLanguage, Social Media

    Yesterday, the right-leaning part of the population who seem to believe that culture as they know it is in danger of being cancelled (whatever that may mean. Ed.), was fulminating against yet another of those left-leaning organisations – English Heritage. Its crime: amending its online information about the children’s author Enid Blyton to reflect more accurately her writing and views.

    While English Heritage’s blue plaque commemorating Blyton remains unchanged, the charity’s online information about her now details the problematic aspects of her writing and views.

    In particular, the information on Blyton has been amended to describe her writing as including racism and xenophobia whilst lacking literary merit.

    To illustrate Blyton’s racism, English Heritage’s online content notes that in 1960 Macmillan refused to publish Blyton’s children’s novel The Mystery That Never Was, noting her “faint but unattractive touch of old-fashioned xenophobia”. As a child, I can’t say I remember noticing the racism and xenophobia so much on the very rare occasions I picked up Blyton as a child (the golliwogs should have started the alarm bells ringing. Ed.), but the lack of literary merit was clearly apparent to my developing brain. Her work came across as simplistic and formulaic, but my brother loved her stories, a matter in which he persisted despite the mocking and urging from my sister and me that he read something less lightweight.

    Although she did not specifically mention Blyton by name, it was clear that actor and comedian Joyce Grenfell clearly had Enid in her sights in her monologue Writer Of Children’s Books, as embedded below.

  • Electrifying

    Steve WoodsBristol, Language, Media

    One of the staples of local news reporting is the activities of the emergency services – police, ambulance, coastguard, fire service – and in this regard Bristol Live – formerly the Bristol (Evening) Post is no exception.

    Yesterday’s online edition reported on the fire service’s attendance at a possible incident on Colston Street (soon to revert to its original name of Steep Street after the city’s Victorian great and good renamed it after a slave trader. Ed.).

    However, once again the reporter’s poor English is disappointing to read.

    In the second paragraph readers are informed that

    The alarm was sounded after what was believed to be an electric fire in Colston Street at around 8.22pm.

    Where was the said domestic appliance left? In the roadway? On the footway/pavement?

    Clarification was helpfully supplied by the fire service, whose spokesperson commented as follows:

    Upon investigation, the issue was determined to be under the pavement and originating from an area of recently excavated electrical works.

    So the fire, if it ever existed in the first place, was electrical, not electric.

    As an aid to passing hacks wishing to improve their vocabulary, there follows below a handy pictorial guide to the difference between the two. 😀

    An electrical fire
    An electrical fire. Image courtesy of Wikimedia Commons.
    Electric fire
    An electric fire (aka electric heater). Image courtesy of Wikimedia Commons.

  • Maesteg remembers Tryweryn despite council

    Steve WoodsLanguage, Media, Oddities, Politics

    In 1965 the village of Capel Celyn in the valley of the Afon Tryweryn valley in Gwynedd was flooded to create Llyn Celyn reservoir to supply water to the towns of Wirral peninsula and the city of Liverpool in England.

    Needless to say, this act of colonial vandalism met with almost universal condemnation in Wales, represented a pivotal moment and event in Welsh nationalism and gave a huge boost to the Welsh devolution cause.

    In addition, the drowning of the Tryweryn valley had a wide cultural impact.

    In response to the impending flooding of the Tryweryn Valley, author Meic Stephens decided to paint “Cofiwch Tryweryn” (sic), Welsh for “Remember Tryweryn“, on a rock. Eventually he settled on the wall of a ruined cottage named Troed-y-Rhiw for his artwork. Because the original Cofiwch Tryweryn is grammatically incorrect, subsequent restorations of the wall have repainted the message correctly as Cofiwch Dryweryn, adding the consonant mutation.

    Cofiwch Dryweryn mural after 2019 restoration
    The original mural in Llanrhystud after 2019 restoration. Picture courtesy of Wikimedia Commons

    The mural has since gone on to be reproduced on T-shirts, pitchside banners at Welsh international football fixtures and replicated at other sites in Wales.

    Which brings us to Maesteg and Bridgend County Borough Council.

    Today’s Wales Online reports that Maesteg resident Sian Thomas-Ford’s Cofiwch Dryweryn, painted in 2019, had incurred with displeasure of Bridgend County Borough Council, which, in that accommodating manner peculiar to all local authorities, had ordered the mural’s removal.

    original Bridgend Cofiwch Dryweryn mural
    Picture courtesy of Yes Maesteg

    Since 2019 the Bridgend mural has undergone some changes. Firstly, the two dragons – one red and one white – of Welsh legend have disappeared, whilst the Welsh independence slogan “Yes Cymru” has been added.

    Bridgend Council took the attitude that the mural was an advertisement and notified Ms Thomas-Ford last summer that she could be prosecuted if she did not paint over the mural. Furthermore, the council told Ms Thomas-Ford that their highways department found the mural is a “distraction to drivers”. The council’s planning fees for advertisements range from £120 to £460. Ms Thomas-Ford’s response to the council was defiance, stating she did not intend applying for planning permission because the mural is not an advertisement, but rather a celebration of Welsh history and a reminder of an event that should not be forgotten.

    Ms Thomas-Ford told Wales Online that the mural had sparked lots of conversations locally about Welsh history and culture.

    Some 3,000 people signed a petition in support of keeping the mural.

    The council has now dropped its bureaucratically absurd position of regarding the mural as an advertisement. In a bit of municipal face-saving, a council spokesperson is quoted as saying:

    From the council’s perspective, advertising consent is required to protect the householder, but we do not currently intend to take any further action. It remains open to the owner if they wish to regularise the matter.
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