Genius (or should that be genious? Ed.) headline writing from today’s Daily Post, alias North Wales Live.
Is the entire editorial team asleep at their desks?
Such a glaring spelling mistake and the obvious lack of quality control remind your ‘umble scribe of a Mark Twain quotation regarding a still extant US newspaper, i.e.
I think the Cincinnati Enquirer must be edited by children.
Like many other parts of the city, the Easton area of Bristol has been subject to an immense wave of gentrification in the last decade or so, with all the usual signs: rocketing house prices, overpriced bacon butties made with sourdough, etc.
Indeed, local house prices have risen so dramatically within the city that an old college mate’s son and his partner couldn’t afford to buy anywhere in BS5 and eventually had to move to Cheltenham in order to find somewhere more affordable than Bristol’s inner city.
Last year the Bristol Post/Live published its own guide on how to spot the signs of gentrification.
It would be fair to say that gentrification has given rise to some local resentment on the streets, as shown below.
The signs of gentrification have even started showing in the types of items fly-tipped on local streets (in a sort of waste-related version of trickle-down economics. Last month your ‘umble scribe reported his first ever fly-tipped futon base and one of his other tasks today is to notify the council of this morning’s sighting of a fly-tipped golf bag on St Mark’s Road.
Fore!
As a linguist, your ‘umble scribe has, during his working life, always used language as a precision tool. Were using le mot juste can mean the difference between a one-off job or repeat business is confined to linguists is unusual or not, is a matter for conjecture, There are certain other professions where the use of the right vocabulary is vital, particularly in the law and in the field of intellectual property (e.g. trade marks, patents).
It often does not apply in the world of journalism, where a columnist may be taking a deliberately ambiguous angle.
This accuracy of language definitely does not apply to the titles of the Reach plc stable of local news titles, including Bristol’s (news)paper of warped record, the Bristol (Evening) Post and the accompanying Bristol Live website.
As a prime example of this is contained in Thursday’s piece about the redevelopment of Trinity police station.
The headline implies that the as-yet unnamed music venue itself will be building the housing, not some developer who has just realised that, due to the proximity of entertainment, the building bill will now be augmented by the addition of acoustic insulation.
The police station to be demolished and redeveloped just happens to be over the road from the Trinity Centre, with which your correspondent has a long association (posts passim).
What is obvious from perusing the article is that the person(s) writing the headline is/are different from the one who write the article. This seems to be standard practice.
Furthermore, it is also evident that the headline writers do not carefully read what reporters have written, as shown by the latest version of how the story is presented on the paper’s website, with the soon-to-be former cop shop itself transformed a new music venue.
Sacking all those sub-editors a few years ago to save some money has really paid off in terms of the quality of your ‘journalism’, hasn’t it, Reach plc?
Other than ‘All hail kakistocracy‘, no further comment required.
Bristol is a city in which, according to the 2011 census data, more than 90 languages are spoken: no surprise for the UK’s tenth most populous city.
Given its proximity to Wales – a mere train ride or short drive away over one of the two bridges spanning the Môr Hafren (aka the Severn Sea. Ed.), there’s always been more than a bit of friendly rivalry between the city and county and South Wwales, with a topping of mutual parochial condescension reserved for near neighbours.
Given the diverse nature of east Bristol’s population, it’s not unusual to see shop signs in languages other than English, but the Tenovus Cancer Care charity shop in St Mark’s Road (kindly note the apostrophe you prefer to ignore, Bristol City Council. Ed.), has achieved what to your ‘umble scribe’s recollection a first for BS5: a Welsh/English bilingual sign offering – on one side at least – a free health check. The reverse of that bilingual offer is in Welsh only.
This is not the time that Welsh signage has turned up in use to the east of Offa’s Dyke. Back in June a Welsh bilingual road works sign was observed doing splendid work in Coventry, as Wales Online reported.
Bragg’s Lane, Bristol, BS2.
No further comment necessary.
According to the Woodland Trust, “Horse chestnuts, with their mahogany-bright conkers, are the very essence of autumn.
Here in inner city BS5, the local horse chestnut trees in the centre of Lawrence Hill roundabout and on Lawrence Hill itself have decided that autumn has come already, judging by their dry and brown falling leaves and general frowzy appearance.
The horse chestnut is native to the Pindus Mountains mixed forests and Balkan mixed forests of south east Europe; it was first introduced to the UK from those areas then under the administration of the Ottoman Turks in the late 16th century, being widely planted in parks, gardens, streets and on village greens.
The tree gets its English name of horse chestnut from the scars the leaves leave on the twig when they fall, which resembles an inverted horse shoe with nail holes.
Besides the children’s game of conkers, conkers are also used horse medicines, as additives in shampoos and as a starch substitute. Chemicals extracted from conkers can be used to treat strains and bruises.
Just like the local hawthorns are an indicator of the approach of spring for your ‘umble scribe (posts passim), the these horse chestnuts fulfil a similar role for the approach of autumn. Below is a Woodland Trust video of the life of a horse chestnut throughout the year.
While the interminable Conservative Party leadership contest between the 2 tenth-rate rivals, one Mary Elizabeth Truss and rich boy Rishi Sunak, draws tediously on, with government administration seeming to have almost ceased despite drought, rampant inflation, surging energy prices (with the promise of higher prices to come. Ed.) and the outgoing party-time alleged prime minister Alexander Boris de Pfeffel Johnson is hardly anywhere to be seen, not even for a photo opportunity as he dives into the dressing-up box to indulge his inner Mr Benn, a new phrase has been coined – zombie government.
As Wikipedia states: “A zombie (Haitian French: zombi, Haitian Creole: zonbi) is a mythological undead corporeal revenant created through the reanimation of a corpse.” The English word zombie was first recorded in 1819, in a history of Brazil by the romantic poet Robert Southey, in the form of zombi. The Oxford English Dictionary gives the word’s origin as West African and compares it to the Kongo words nzambi (god) and zumbi or nzumbi (fetish).
Comparing Conservative Party ministers to reanimated corpses is disingenuous, as the latter have far more compassion.
All the crises mentioned in the first paragraph all seem to be coming to a head and combining during what is traditionally known in Britain as the silly season, which occurs during the long parliamentary summer recess, when, having no – or very little – politics to report, the newspapers and other media resort to more frivolous and lightweight items of ‘news‘.
However, all is not yet lost.
Yesterday the Metro reported that the notoriously work-shy Johnson (remember those missed COBRA meetings at the start of the pandemic? Ed.) had actually managed to turn up for a meeting, although the outcomes of the meeting stated to accompany the headline hardly seem to have made the gathering worth the effort of organising and attending.
And to think all this will continue until after the closure of the leadership poll for the 160,000 or so Tory Party members at 5pm on Friday 2nd September…
A piece of artwork has appeared on the parched grass of Peel Street Green Space, which occupies the ground between Pennywell Road and Riverside Park on the far side of Peel Street Bridge over the Frome (aka the Danny in east Bristol. Ed.).
Its arrival seems to have pre-empted the Bristol Post, which today wrote:
A new public art trail reflecting on colonial histories and the impact of the slave trade is coming to Bristol.
More than 100 artist-designed globe sculptures will appear in seven cities across the UK from Saturday and will be free to view by the public until October 31.
The project, which is organised by The World Reimagined, aims to explore the UK’s relationship with the Transatlantic slave trade, its impact on society and how action can be taken to make racial justice a reality. The designs of the globes produced by the commissioned artists explore themes such as the culture of Africa before the slave trade and an ode to the Windrush generation.
The World Reimagined has sited 103 unique Globes across the 10 trails in 7 host cities across the UK – Bristol, Birmingham, Leeds, Leicester, Liverpool, London and Swansea. All the trails will be connected to a digital platform that enables visitors to explore the collection and the history it reflects.
The Peel Street globe is entitled Like The Sun and was created by Felix ‘FLX’ Braun, a Bristol-based a contemporary fine artist and muralist
The Bristol trail is handily shown on a map by The World Reimagined on which the globe installations are termed ‘Learning Globes‘.
During his lifetime, white supremacist mining magnate and alleged politician Cecil Rhodes was described as a ‘liability and a maniac‘ who nevertheless endowed his alma mater, Oriel College, Oxford with so much cash – £100,000 when he died in 1902 – that it duly commemorated him.
Move on one hundred and twenty years from Rhodes’ death and another ‘liability and a maniac‘ has come forward to support the deceased rich racist in the alleged government’s never-ending culture war centred on public works of art, usually involving dead white males of dubious moral character.
Which brings us to liability number two. Step forward one Nadine Vanessa Dorries, inexplicably elevated way beyond her extremely limited abilities to Secretary of State for Digital, Culture, Media and Sport (DCMS) by disgraced party-time alleged prime minister Alexander Boris de Pfeffel Johnson.
What links Rhodes and Dorries is the latter’s decision to award Grade II listed status to the plaque commemorating the Victorian imperialist Cecil Rhodes at Oriel College, as reported by The Guardian.
The Guardian goes on to report that Dorries’ decision ‘overrides an earlier judgment by Historic England determining that the plaque lacked the “richness of detail” required for listed status‘, with Historic England noting that the DCMS ‘agrees with our listing advice 99% of the time, meaning Dorries’ ruling is indeed out of the ordinary.
Dorries’ unilateral action also flies in the face of the intentions of Oriel College itself. Last year the college’s governing body published a report stating it wished to remove both the Rhodes statue and plaque: the college has since remarked it remains ‘committed to‘ removing them in spite of Dorries’ unwelcome intervention.
The statue of Rhodes has also attracted the attention of thousands of Rhodes Must Fall campaigners who have lobbied to have removed it because of Rhodes’ racist and colonialist views.
Needless to say, Dorries’ decision has not found favour with academics and campaigners. Kim Wagner, who’s a professor of imperial history at Queen Mary University of London (QMUL) remarked as follows:
This is simply what one would expect from Nadine Dorries and a discredited government, which has nothing left but the pursuit of its inept culture-war project.
Cecil Rhodes has become a rallying point for imperiophiliacs, and the slogan to ‘retain and explain’ is just part of the ongoing effort to whitewash his legacy and that of the empire more generally. Luckily, most of us don’t get our history from statues or plaques.
What little history of which Dorries is aware seems likely to have been gleaned from statues and plaques.
The inevitable DCMS spokesperson has been wheeled out to defend the ministerial edict, stating:We are committed to retaining and explaining our heritage so people can examine all parts of Britain’s history and understand our shared past.
Update 08/08/2022: In an editorial opinion piece The Guardian yesterday described Dorries’ listing decision as ‘crass‘, as well as calling her move a ‘kneejerk [sic] response to a contemporary debate‘.